Growing up during the eighties meant playing, with a lot of imagination, Doctor J vs. Larry Bird on Atari; watching Mr. T and the rest of the gang build DIY anti-bad guy contraptions on A Team; Thriller of Michael Jackson, (yes, I tried to dress, sing, and dance like MJ, not a pretty sight) and of course, the famous ballads of George Benson.
It has been years since I've last played George Benson cuts even for casual listening. If it weren't for a recent thread on one of the Internet's biggest online Jazz resource, AAJ, his albums will still remain enclosed and untouched on my inactive shelf of LPs, tapes and CDs.
I first encountered George Benson via his hit tunes Nothing's gonna change my love for you and In your eyes. Apart from those, my knowledge about him was limited to his dandy vocals.
It took me a while to realize he was a "good" guitarist. When I saw him play live on TV , my interest was piqued as he was playing notes from his guitar exactly how he sang them. First time I saw such a feat.
This led to a series of search, starve, and buy missions starting off with a Don Sebesky backed session White Rabbit on CTI records. It wasn't long when I got hold of his releases with Columbia where he was playing serious stuff. At the onset, I could not believe what enormous skill and talent he had put to waste by singing pop tunes. I labeled him a sell-out and at the same time, guitar god.
Benson's guitar work is full of flawless, razor-sharp phrasings and explosive single note runs. It was as normal as breathing. Just when I thought he had run out of gas, he'll put in full- bodied octaves reminiscent of Wes Montgomery during solos. His rhythmic and harmonic sophistication was also something to marvel. While listening, I could not stop thinking him saying, kiss my axe!
Years have passed, I now realize my grave mistake of Mr. Benson's criticism. It was all borne out of ignorance for good musicmanship, and being insensitive to his circumstance.
Along with elite artists like Nat King Cole, George Benson is one of few musicians who have attained critical and commercial success in different genres. It is with greatest love of all that cultchas crew vote him as one of the world's versatile artists and most wicked six string slingers to have walked on this planet. Take it away boss George....
1. Images from George Benson website
2. Video from Youtube by JazzAudrey. Live cover of Dave Brubeck Quartet's classic hit, Take Five (plus Buck Rogers Nihonggo) with Sadao Watanabe.
2. Video from Youtube by JazzAudrey. Live cover of Dave Brubeck Quartet's classic hit, Take Five (plus Buck Rogers Nihonggo) with Sadao Watanabe.
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